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・ Johann Andreas Benjamin Nothnagel
・ Johann Andreas Buchner
・ Johann Andreas Dieze
・ Johann Andreas Eisenbarth
・ Johann Andreas Eisenmenger
・ Johann Andreas Herbst
・ Johann Andreas Kauchlitz Colizzi
・ Johann Andreas Klindworth
・ Johann Andreas Kneucker
・ Johann Andreas Naumann
・ Johann Andreas Schmeller
・ Johann Andreas Schnabl
・ Johann Andreas Schubert
・ Johann Andreas Segner
・ Johann Andreas Silbermann
Johann Andreas Stein
・ Johann Andreas Streicher
・ Johann Andreas Stumpff
・ Johann Andreas Wagener
・ Johann Andreas Wagner
・ Johann André
・ Johann André Forfang
・ Johann Anetseder
・ Johann Angelo Ferrari
・ Johann Anton André
・ Johann Anton Coberg
・ Johann Anton de Peters
・ Johann Anton Eismann
・ Johann Anton Friedrich Baudri
・ Johann Anton Güldenstädt


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Johann Andreas Stein : ウィキペディア英語版
Johann Andreas Stein

Johann (Georg) Andreas Stein (16 May 1728 in Heidesheim – 29 February 1792 in Augsburg), was an outstanding German maker of keyboard instruments, a central figure in the history of the piano. He was primarily responsible for the design of the so-called "Viennese" fortepiano, for which the piano music of Haydn, Mozart, and the early Beethoven was written.〔Grove, "Stein"〕
==Life==
He learned his trade in part at the Silberman workshop in Strasbourg (1748–9), working for Johann Andreas Silbermann, nephew and pupil of the great instrument maker Gottfried Silbermann.〔 He settled in Augsburg, where he also served as an organist.〔
He built not just pianos, but other keyboard instruments, some of them of novel invention. One extraordinary instrument, called the "Poli-Toni-Clavichordium" (1796), combined a large harpsichord having four choirs of strings (registration 8', 8', 8', 16') with a piano. He also built (1772) the "Melodika," a small organ in which the player's touch could alter volume; thus it stood to regular organs much as pianos do to the harpsichord. He also built "vis-à-vis" instruments, with a piano and a harpsichord facing one another in a single case.〔
Toward the end of his life, Stein's business was largely taken over by his daughter Nannette (see below). Pianos with his name after 1790 are held to be Nannette's work, as Stein was himself too ill to build instruments by this date.

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